Playwriting Playgoers in Shakespeare’s Theater. Philadelphia: University of Pennsylvania Press, 2017.
“An extremely substantial contribution to the field. Playwriting Playgoers in Shakespeare’s Theater has the potential to reconfigure current debates about theatrical authorship and spectatorship, and it also acts as an invaluable primer on a range of neglected material.”—Lucy Munro, King’s College London
“This concept is fascinating…. [Playwriting Playgoers in Shakespeare’s Theater] tell[s] the story of some all-but-forgotten playwrights with passion and flair, and brings to our attention texts that have not played a large part in the scholarly conversation, reminding us why they deserve our attention.”—Tiffany Stern, University of Birmingham
“Playwriting Playgoers in Shakespeare’s Theater offers a fresh take on the study of early modern audiences and their role in theatrical production…. Taking his readers through manuscript revisions, stage directions, and verse analysis, Pangallo presents an unconventional and largely convincing bid to take amateur playwrights—and the things they can tell us about early modern audience experience—more seriously…. Ultimately, Playwriting Playgoers in Shakespeare’s Theater offers a significant contribution to a number of early modern fields, including the study of audiences, authorship, theatricality, and dramaturgy. Furthermore, it should remain a useful primer on a number of previously overlooked playwrights for years to come.“—Emma Katherine Atwood, University of Montevallo
“Pangallo encourages a positive attitude towards this material so often overlooked….This invitation to challenge past perspectives on this material is the book’s main contribution. Pangallo also inspires us to think more about non-canonical works, to open up new avenues of investigation, and to reflect on the importance of adding ‘a different voice to the conversation’ (163), which can be used as ‘direct testimony’ (187) of how professional plays were staged and performed in the first half of the seventeenth century.“—Beatrice Montedoro, Lincoln College, University of Oxford
“Pangallo’s study…illustrate[s] how a less restrictive approach to determining which plays we deem worthy of attention, along with an expansion of the kinds of investigations we undertake, might reveal potentially productive, oblique angles of inquiry into early modern playmaking, playgoing, and the correlations between the two.“—Mark Albert Johnston, University of Windsor
“Playwriting Playgoers in Shakespeare’s Theater focuses ingeniously on a model of theatrical dramatic authorship that has been almost totally understudied….Pangallo opens a window onto the world of theatrical consumption rather than theatrical production: on how important audience experience and audience taste were…. The book is a vital and original contribution on the problem of theatrical audiences, significantly advancing our understanding not only of who attended plays or how they responded to them but of drama itself as a fundamentally collaborative entertainment enterprise.“—Henry S. Turner, Rutgers University
Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.
Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare’s Theatershows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period’s concepts of, and attitudes toward, playgoers’ participation in the activity of playmaking.
Plays by playgoers such as the rogue East India Company clerk Walter Mountfort or the highwayman John Clavell invite us into the creative imaginations of spectators, revealing what certain audience members wanted to see and how they thought actors might stage it. By reading Shakespeare’s theater through these playgoers’ works, Matteo Pangallo contributes a new category of evidence to our understanding of the relationships between the early modern stage, its plays, and its audiences. More broadly, he shows how the rise of England’s first commercialized culture industry also gave rise to the first generation of participatory consumers and their attempts to engage with mainstream culture by writing early modern “fan fiction.”
Peer-Reviewed Articles and Notes
- “Beyond the Pale: English Performers from Calais in the Fifteenth and Sixteenth Centuries”. Forthcoming in Medieval and Renaissance Drama in England 33 (2021).
- “Trumpeters from China in Bristol in 1577?”. Early Theatre 20.1 (June 2017): 119–24.
- “A Pirate’s Verse for the Secretary of State: Sir Francis Verney’s 1606 Poem to Robert Cecil, Earl of Salisbury”. Journal of Early Modern Cultural Studies 16.1 (Winter 2016): 3–49.
- “‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays”. Early Theatre 18.2 (December 2015): 87–118. Winner of Early Theatre‘s 2015–2016 “Best Essay on Theatre History” prize.
- “The Pirate, the Pirate-Hunter, and the Beginning of Early Modern Play Editing”. English Literary Renaissance 45.1 (February 2015): 146–71.
- “Mr Pett Identified? A Forgotten Early Modern Playwright”. Early Modern Literary Studies 17:1 (May 2014).
- “‘Mayn’t a Spectator write a Comedy?’ Playwriting Playgoers in Early Modern Drama”. Review of English Studies 64:263 (February 2013): 39–69. Winner of Shakespeare Association of America’s 2011 Open Paper Contest prize.
- “‘Hamlet cannot finish the sentence’: Translating Shakespeare into ‘Modern English’”. The Shakespeare Newsletter 59:1 No. 277 (Spring/Summer 2009): 31–6.
- “Correction to Plomer’s Biography of Thomas Harper”. Notes & Queries 256.2 (June 2009): 203–5.
- “At.óow or l s’ aatí át? Language Revitalization, Cultural Creation, and the Tlingit Macbeth.” Translation and Interpreting Studies 3.1 (Spring 2008): 3–29.
- “A New Source for a Speech in The Launching of the Mary”. Notes & Queries 251.4 (December 2006): 528–31.
Peer-Reviewed Online Articles
- “Unfinished Play by Richard Norwood”. Lost Plays Database, 2011.
- “The Resolute Queen”. Lost Plays Database, 2011.
- “The Battle of Hexham”. Lost Plays Database, 2013.
- “King Ebrauk with All His Sons”. Lost Plays Database, 2015.
- “The Parliament of Birds”. Lost Plays Database, under review.
- “Play of the Ancestor of Sir John Holles”. Lost Plays Database, under review.
- “Nonprofessional Playwrights” in A New Companion to Renaissance Drama. Eds. Arthur F. Kinney and Thomas W. Hopper. Wiley-Blackwell, 2017. 598–611.
- “Dramatic Meter” in The Oxford Handbook of Shakespeare. Ed. Arthur F. Kinney. Oxford UP, 2012. 100–25.
- “‘Seldome seene’: Observations from Editing The Launching of the Mary” in Divining Thoughts: Future Directions in Shakespeare Studies. Eds. Peter Orford et al. Cambridge Scholars Publishing, 2007. 1–16.
- The Amazon by Edward Herbert, for The Malone Society Collections XVII. With Cristina Malcolmson and Eugene Hill. Manchester University Press, 2016.
- The Tragedy of Antigone, the Theban Princesse by Thomas May, for The Malone Society. Manchester University Press, 2016.
- The English Traveller and The Royal King and the Loyal Subject, for The Collected Works of Thomas Heywood, Vol. 5. General editor, Grace Ioppolo. Oxford University Press, forthcoming.
- The Launching of the Mary, or the Seaman’s Honest Wife by Walter Mountfort, for Digital Renaissance Editions. Coordinating Editor, Brett Hirsch; General Textual Editor, Will Sharpe. Forthcoming.
- Titus Andronicus. Assistant Editor, to William Proctor Williams, for the New Variorum Shakespeare (MLA). In progress.
Articles for General Readers
- “Kids These Days: Romeo and Juliet and #NeverAgain”. The Shakespeare Standard. April 10, 2018.
- “You’re Liars All: Donald Trump as Shakespeare’s Saddest Villain”. The Shakespeare Standard. February 10, 2017.